Lucha libre (Spanish for "free wrestling") is a term used in Mexico and other Spanish-speaking areas referring to a form of professional wrestling involving varied techniques and moves. Outside of these areas, the term is synonymous with the professional wrestling performed in Mexico and other Latin American countries.

Mexican wrestling is characterized by rapid sequences of holds and moves, as well as high-flying moves, some of which have been adopted in the United States, and colorful masks. Lucha libre performers are known as luchadores (singular luchador).


The rules of lucha libre are similar to American singles matches. Matches can be won by pinning the opponent to the mat for the count of three, making him submit, knocking him out of the ring for a pre-determined count (generally twenty) or by disqualification. Using the ropes for leverage is illegal and once a luchador is on the ropes, his opponent must release any holds and he will not be able to pin him. Disqualifications occur when an opponent uses an illegal hold, move (such as the piledriver, which is an illegal move in lucha libre and grounds for immediate disqualification, though some variations are legal in certain promotions), or weapon, hits his opponent in the groin (faul), uses outside interference, attacks the referee, or rips his opponent's mask completely off. Most matches are two out of three falls (dos de tres caídas), which had been abandoned for title bouts in North America and Japan in the 1970s.

History of lucha libre in MexicoEdit


In the early 1900s, professional wrestling was mostly a regional phenomenon in Mexico until Salvador Lutteroth founded the Empresa Mexicana de Lucha Libre (Mexican Wrestling Enterprise) in 1933, giving the sport a national foothold for the first time. The promotion company flourished and quickly became the premier spot for wrestlers. As television surfaced as a viable entertainment medium during the 1950s, Lutteroth was then able to broadcast his wrestling across the nation, subsequently yielding a popularity explosion for the sport. Moreover, it was the emergence of television that allowed Lutteroth to promote lucha libre’s first breakout superstar into a national pop-culture phenomenon.[1]


In 1942, lucha libre would be forever changed when a silver-masked wrestler, known simply as El Santo (The Saint), first stepped into the ring. He made his debut in Mexico City by winning an 8-man battle royal. The public became enamored by the mystique and secrecy of Santo's personality and he quickly became the most popular luchador in Mexico. His wrestling career spanned nearly five decades, during which he became a folk hero and a symbol of justice for the common man through his appearances in comic books and movies, while the sport of Lucha Libre received an unparalleled degree of mainstream attention.[2]

Other legendary luchadores who helped popularize the sport include; Gory Guerrero who is credited with developing moves and holds which are now commonplace in professional wrestling; Blue Demon, a contemporary of Santo and possibly his greatest rival; and Mil Máscaras (Man of A Thousand Masks) who is credited with introducing the high flying moves of lucha libre to audiences around the world. He achieved international fame as one of the first high-flyers, something he was not considered in Mexico where he fell under the mat-power category.[3][4][5]

Lucha libre style of wrestlingEdit


Luchadores are traditionally more agile and perform more aerial maneuvers than professional wrestlers in the U.S. who, more often, rely on power moves and strikes to subdue their opponents. The difference in styles is due to the independent evolution of the sport in Mexico beginning in the 1930s and the fact that luchadores in the cruiserweight division (peso semicompleto) are often the most popular wrestlers in Mexican lucha libre.[6] Luchadores execute high flying moves characteristic of lucha libre by utilizing the wrestling ring's ropes to catapult themselves towards their opponents, using intricate combinations in rapid-fire succession, and applying complex submission holds. Lucha libre has several different weight classes, many catered to smaller agile fighters, who often make their debuts in their mid-teens. This system enables dynamic high-flying luchadores such as Rey Mysterio, Jr., Juventud Guerrera, Super Crazy and Místico, to develop years of experience by their mid-twenties.[7] A number of prominent Japanese wrestlers also started their careers training in Mexican lucha libre before becoming stars in Japan. These include Gran Hamada, Satoru Sayama, Jushin Liger, and Último Dragón. With so many weight classes, Mexico has the largest number of professional wrestlers in the world.

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Lucha libre is also known for its tag team wrestling matches. The teams are often made up of three members, instead of two as is common in the U.S. These three man teams participate in what are called trios matches, for tag team championship belts. Of these three members, one member is designated the captain. A successful fall in a trios match can be achieved by either pinning the captain of the opposing team or by pinning both of the other members. A referee can also stop the match because of "excess punishment". He can then award the match to the aggressors. Falls often occur simultaneously, which adds to the extremely stylized nature of the action. In addition, a wrestler can opt to roll out of the ring in lieu of tagging a partner or simply be knocked out of the ring, at which point one of his partners may enter. As a result, the tag team formula that U.S. tag matches tend to follow doesn't apply to lucha libre because the race to tag isn't a priority. There are also two-man tag matches (parejas) as well as "four on four" matches (atomicos).[8]


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Masks (mascaras) have been used dating back to the beginnings of lucha libre and have a historical significance to Mexico dating to the days of the Aztecs.Template:Fact Early masks were very simple with basic colors to distinguish the wrestler. In modern lucha libre, masks are colorfully designed to evoke the images of animals, gods, ancient heroes, and other archetypes, whose identity the luchador takes on during a performance. Virtually all wrestlers in Mexico will start their careers wearing masks, but over the span of their careers a large number of them will be unmasked. Sometimes, a wrestler slated for retirement will be unmasked in his final bout or at the beginning of a final tour, signifying loss of identity as that character. Sometimes, losing the mask signifies the end of a gimmick with the wrestler moving on to a new gimmick and mask. The mask is considered "sacred" to a degree, so much so that fully removing an opponent's mask during a match is grounds for disqualification.[9]

During their careers, masked luchadores will often be seen in public wearing their masks and keeping up the kayfabe of Lucha Libre, other masked wrestlers will interact with the public and press normally, however, they will still go to great lengths to conceal their true identity; in effect, the mask is synonymous with the luchador. El Santo continued wearing his mask after retirement, revealed his face briefly only in old age, and was buried wearing his silver mask.

More recently, the masks that luchadores wear have become iconic symbols of Mexican culture. Contemporary artists like Francisco Delgado and Xavier Garza incorporate wrestler masks in their paintings.[10]

Although masks are a feature of lucha libre, many Americans wrongly assume that every Mexican wrestler uses one. This is false and there have been several non-masked wrestlers who have been successful, particularly Tarzan Lopez, Gory Guerrero and Perro Aguayo. Formerly masked wrestlers who lost their masks, such as Satanico, Cien Caras and others, have had continued success despite the mask losses.

Luchas de apuestasEdit

With the importance placed on masks in lucha libre, losing the mask to an opponent is seen as the ultimate insult and can at times seriously hurt the career of the unmasking wrestler. Putting one's mask on the line against a hated opponent is a tradition in lucha libre as a means to settle a heated feud between two or more wrestlers. In these battles, called luchas de apuestas ("matches with wagers"), the wrestlers "wager" either their mask or their hair.[11]

The first luchas de apuestas match was presented on July 14, 1940 at Arena México. The defending champion Murciélago was so much lighter than his challenger Octavio that he requested a further condition before he would sign the contract: Octavio would have to put his hair on the line. Octavio won the match and Murciélago unmasked, giving birth to a tradition in lucha libre.[12]


  • Máscara contra máscara ("mask versus mask"): two masked luchadores bet their masks, the loser is unmasked by the winner, and his real name is often revealed as well.
  • Máscara contra cabellera ("mask versus hair"): a masked wrestler and an unmasked one compete, often after the unmasked one has lost his mask to the masked one in a prior bout. If the masked luchador wins, the unmasked one shaves his head as a sign of humiliation. If the unmasked luchador is the winner, he keeps his hair and the loser is unmasked.
  • Cabellera contra cabellera ("hair versus hair"): the loser of the match has his head shaved bald. This can occur both between unmasked wrestlers and between masked wrestlers who have to remove their mask enough to be shaved after the match.

Other characteristicsEdit

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Luchadores are traditionally divided into two categories, rudos ("bad guys", or "heels", literally "rude ones"), who bend or break the rules, and técnicos (the "good guys", or "faces", literally "technicians"), who play by the rules and their moves are much more complex and spectacular. "Técnicos" tend to have very formal combat styles, close to Greco-Roman wrestling and martial arts techniques, where as "rudos" tend to be brawlers. Técnicos playing the "good guy" role, and rudos playing the "bad guy" role is very characteristic of Mexican lucha libre, which differs from U.S. professional wrestling, where many technical wrestlers play the role of heels, and many brawlers play as "faces" (e.g., Stone Cold Steve Austin).[13] Although rudos often resort to using under-handed tactics, they are still expected to live up to a luchador code of honor. For instance, a luchador who has lost a wager match would prefer to endure the humiliation of being unmasked or having his head shaved rather than live with the shame that would come from not honoring his bet. Rudos have also been known to transition into técnicos after a career defining moment, as was the case with Blue Demon, who decided to become a técnico after his wrestling partner, Black Shadow, was unmasked by the legendary Santo. Tag teams are sometimes comprised of both rudos and técnicos in what are called parejas increibles (incredible pairings). Parejas increibles highlight the conflict between a luchador's desire to win and his contempt for his partner.[14]

Luchadores, like their foreign counterparts, seek to obtain a campeonato ("championship") through winning key wrestling matches. Since many feuds and shows are built around luchas de apuestas ("matches with wagers"), title matches play a less prominent role in Mexico than in the U.S. Titles can be defended as few as one time per year and wrestlers usually only wear their belts during big events and title defenses.

Lucha libre uses a more specific weight class system to classify titles. Popular weight classes include; heavyweight, light-heavyweight, welterweight and middleweight. Lightweight and super-lightweight titles are also used. The "Cruiserweight" division is often associated with the lucha libre style of wrestling, even though in Mexico, the term light-heavyweight (peso semicompleto) is used due to a different weight class system. In recent years, weight classes have been mostly nominal and there are occasions when a wrestler will have titles in two different weight classes. However, title matches are still major events and many shows are built around them.

The two most popular lucha libre promotions are Consejo Mundial de Lucha Libre (CMLL), which was founded in 1933, and Asistencia Asesoría y Administración (AAA).

Lucha libre is currently experiencing a boom in popularity due to the emergence of a new generation of stars, most notably, a masked wrestler named Místico, whose high-flying style and technique is attracting record crowds in Mexico.

Female professional wrestlersEdit

Female wrestlers or luchadoras also compete in Mexican lucha libre. The CMLL World Women's Championship is the top title for CMLL's women's division; while the AAA Reina de Reinas Championship is a championship defended in an annual tournament by female wrestlers in AAA. AAA also recognizes a World Mixed Tag Team Championship, contested by tag teams composed of a luchador and luchadora respectively. Among the new group of notable female luchadoras is El Gato de Plata (believed to be Ella Brown). In 2000, the all female promotion company Lucha Libre Feminil (LLF) was founded.[15]

Luchadores in the U.S.Edit

In 1994, AAA promoted the When Worlds Collide Pay-Per-View in conjunction with the U.S. promotion company World Championship Wrestling (WCW). When Worlds Collide introduced U.S. audiences to many of the top luchadores in Mexico at the time.

In recent years, several luchadores have found success in the United States. Notable luchadores who achieved success in the U.S. are Eddie Guerrero, Rey Mysterio, Juventud, La Parka, Super Crazy and Psicosis.

Lucha libre shows are broadcast weekly in the U.S. on the Galavisión and Fox Sports en Español Spanish language cable networks.

Additional informationEdit

In Peru the term "cachascán" (from "catch as can") is used. Wrestlers are called cachascanistas. In Argentina, in addition to lucha libre, professional wrestling is also referred to as "catch", or catch as catch can.[16]

Promotions using lucha libre rulesEdit



United StatesEdit

In the media and popular cultureEdit

A "Lucha Libre" themed Taco Shop opened in San Diego California in 2008 -


  • Paul Allatson (2007). Key Terms in Latino/a Cultural And Literary Studies[1]. Blackwell Publishing. ISBN 1405102500.

See alsoEdit

External links Edit

de:Lucha Libre en:Lucha Britannia es:Lucha libre mexicana fr:Lucha libre ko:루차 리브레 it:Lucha Libre ja:ルチャリブレ pt:Lucha libre

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